nice misskintin shirt for girls

life is long is an opening gate to the world of lithuanian jazzy house. the funky basslines and turntablist stylings, topped with the organic sounds of light, swinging, latin percussion, wailing saxophones, and fluttering flutes forms the distinct sound of jazzus juice. the release includes amazingly frivolous and funky remix crafted by talented mr. rithma (om records).

number 007 comes with a load of 4 berliners (ok, 2 of them are >new-berliners<) and testif ies f or timeless berlin clubsound. till von sein, todd bodine, tigerskin and moritz piske

>de puta madre< is a minimal monster with an unbelievable mix of classic detroit drums with dirty hihat-figures but tons of with rave-appeal when it comes to the main sound. d.digglers remix takes the basics of the original version to make it more weird and screwdriven -sheer madness

louie vega gets in eol mode for his stunning take on brilliant british singer victor davies latest song. pure organic samba-funk/ latin vibes with percussive house beat and background vox by anane. instrumental version on the flip

w/brill benno blome and tigerskin rmxs! massive support by all global players

around and round they glow… where they stop, somebody knows, but he s too busy spinning records.(blue glow-in-the-dark)

quality deep house tracks with organic sounds and chubby basslines

heres more of that exciting, dubby and trancy stuff alex krueger aka dub taylor. >schmidts cat< contains three parts which are based on the same idea in bassline and/or chordline. his mostly (digital/analog) hybridworking makes these tracks having a special warm sound

the members of my my met and became friends through common interests in music, but it wasnt until they ended up as neighbours in berlins mitte, that a lifestyle of committed partying, cake baking and long studio sessions lead to their debut release on playhouse >klatta< in early 2005. it was the result of previously downtempo producer lee jones (hefner) working and partying with local berlin djs nick höppner and carsten kleeman, who are residents respectively at panorama bar and watergate. following up their recent fantastic 12inch on circus company butterflies & zebras is beautifully tripped-out expansive ambient house, summer after-hours here we come! recorded live with nick and lee layering fx over the organic percussion as the mix develops. an acid infused bassline is slowly opened out as layers of lush strings and shimmering pads are teased into the arrangement. on moneybowl the boys show the more jacking side of my my. taught and lean with a groove that keeps on evolving, while weird and wonderful bleeps and clicks bounce around the mix. for the remix, john dahlbäck twists the pads from the original and adds his own synth stabs. then pulls out a bassline and arrangement that jumps straight onto the dancefloor

two more exquisit tracks from alex krueger. after his last releases on deep in rhythm, liebe detail and dirt crew and the production of tom clarks album for highgrade, he is back with more trance techhousestuff on his own label.. 31.07.2006

our nice 2 guys are here in a collaboration with alex krüger aka tigerskin on something we would call >minimal rave< !!

fresh drive minimal hi tech funk tracks like an v8 engine, incl robert babicz remix !!! big one

a new label run by alex krueger (tigerskin) and pierre eisenhut (komfort, ek records) starts with a great pumpin minimalistic 3 tracker from labelhead dub taylor himself !!

diesmal ohne übermässige randale aber mit dem gepflegtesten wumms dieser hemisphäre gräbt sich robert durch lässig dahingeworfene pianochords um einen wohlig rappelnden basslauf ans tageslicht zu zerren

here we are with a very special release on central records. your favourite central artists and vocalist michael richmann present a verypersonal but nevertheless powerful record demonstrating centrals aproachto take a risk to get closer to the musicin techno. without covering any clichÚ whatsoever, without following any trend, this tracks are digging for the heart in your chest, but not without setting the floor on fire

ultracool deeper chicago filter funk...very upfront

part 1 of 2 …slamming funky house licks

deep house

dave lee and will fox compile a personal selection of west london breakbeat sounds.

the avant garde movement largely influenced katsoulisÕ early compositions. after which, he turned to minimalism, applying elements of jazz and rock into that genre. since the 80s, the use of technology became gradually apparent in his compositions, whist not diminishing the importance of the human factor and the creative involvement of the performer. . today, he is striving for simplicity, trying to express the most, using the least, providing the context for this release. from the subtle ambience of title track Òif not now whenÓ, to the intense and confronting sound on Òall the blue skiesÓ, katsoulis and his accompanying musicians deliver a diverse and contemporary work with a level of sophistication that will challenge the current electronic musical landscape. the purity of sound in stand out track ÔtoreÕ is juxtaposed by the dark and gritty Ògrand delusionsÓ, a remarkably modern composition which sounds like it has been composed for a berlin techno club, from a man we suspect has never been to one. Ôslipping beautiesÕ, the most revered of katsoulisÕ back catalogue (recently remixed by young marco) is given an organic and intelligent reinterpretation for 2016. the haunting and provocative vocal performance by anna linardou on ÔzarrinÕ leads the record down an even more emotive and provocative path.

springing up from the osaka underground club music scene in 2006, hino is a rhythm master, intimately examining and extending pulses and grooves in his various projects. ypy is hinos long-running rhythmic solo dna lab, in which he investigates impulsion and propulsion, using drum machines and synthesizers in an organic and vital manner to create living and evolving percussive biosystems which are more than electronic music etudes.

as we launch into the 20th instalment of our watergate mix series, it seems only fitting that we turn to one of our own artists to commemorate the milestone. a man already well known for his poignant and impassioned productions and dj sets, we are thrilled to present matthias meyer as the next master of controls on watergate 20! over the course of 80 minutes, meyer skillfully navigates through boundless sonic spaces of lush melodics, organic grooves and sentimental sensations with an effortless approach. from the very beginning, emotions run deep as the sound of rain and strings on kettenkarussellÕs Ôten friendsÕ sets the stage as yokoo & retzas exclusive track satori and leafar legovs tribal girls establish the percussive tone of the mix. the journey really begins to unfold when back to back exclusive tracks gorje hewek & izhevskis turgoyakk and matthias own uluwatu take over. as the mix picks up steam tracks from palms trax, langenberg, hyenah and another exclusive from meyer himself provide the perfect momentum that drives us into the deeper side as the mix takes a turn towards the final stretch.

fragmented:
broken up, cracked open/apart, shattered, splintered, fractured
1 reduced to fragments
2 existing and/or functioning as though broken into separate parts
3 forcibly separated into many pieces

highly technical but still organic, combining advanced synthesis & sample wizardry *fragmented* clearly shows how contrasts can accentuate.

jeff mills once again indulges his passion for classic sci-fi with this 2cd re-imagining of the score to harry kleiner s titular 66 flick. it follows his -cyborg 2087- recreation and imaginary soundtracks for -the power- and -the occurence- with a deep voyage of discovery. but unlike the aforementioned, the original film plot - about a team of scientists who re miniaturized and dispatched inside a human body to fix a blood clot - thematic scales are inversed and we re drawn to mills inner, as opposed to outer, space-scapes. the action unfolds across 22 tracks and 2 cds, from bleepin, womb-like viscera and hazardous noise bursts through archetypal rhythm arrangements and fluid programming reflecting the man/machine, organic/synthesized themes of the film and his own alien/human aesthetic. it s wonderful to witness mills maturing as a composer and refining his art to something beyond a soundtrack for dancefloor rituals, but without ever losing his original blueprint, and showing that the line between cinematic imagination and dancefloor functions can be a very fine one.

debut album from curv on vinyl vibes records ... after various successful 12inch releases on vinyl vibes, the label introduce their first artist album from curv. while in the past mixing organic and clubby elements, deeply rooted in soul and jazz, curv recently developed a stronger love for electronic music, splendidly reflected in this fantastic record. between here and nowhere is not just another electronic album as one might expect. it features a unique style of warm, analog sounding club music which makes perfect sense as a listening experience too. it would not be curv if jazz, funk and disco didnt feature, if he would not occationally mix the electronic beats with some natural sounding drums, the keyboards with some piano. but he is now putting all these things into an electronic context of house beats, naughty electro and even deep minimal. in between all of this you still find all those stunning little details that make his music curv-music in its very own & special way.

organic house fused with flamenco and traditional spanich sounds

first release from deenamic with organic house music

minimal techy sound

welcome to ‘magic maze’ a guided meditation from oslo’s helene rickard. over two sides of a c60 cassette, the norwegian dj curates an immersive journey through imaginary landscapes and possible musics, marrying the organic and synthetic into a deep tissue massage of healing frequencies. showing infinite patience, the camp cosmic regular gradually oscillates between fourth world exotica and pastoral new age, at once opening our minds with the celestial splendour of crystalline chimes connecting us all with future primitive hymns. as we float along under helene’s benevolent gaze we encounter each of the elements, oceanic reverb, vaporous reeds, earthy drones and smouldering tones, each imparting its own ancient wisdom as we pass.
but enlightenment seldom comes without adversity and the mixtape’s most divine moments often appear in the wake of disorienting intensity. fortune favours the brave, and if you free your mind, open your heart and follow the twists and turns of the ‘magic maze’, your rewards with be both earthly and divine.

almost otherworldly in its vastness and serene beauty, many musicians have drawn from the well of inspiration that is arizona’s sonoran desert, but few are quite as accomplished or prolific as steve roach. an ambient pathfinder and electronic innovator, his back catalogue as vast as those breathtaking vistas – sonic renderings of arid landscapes littered with saguaro cacti are found in good company alongside didgeridoo-focused experiments and ethereal drifts that navigate the event horizon, between the brilliance of space and a black abyss.
reminiscent of philip glass’ minimalism and the kosmische stylings of tangerine dream, ‘skeleton keys’ seemed to fall somewhere between the two. conjuring expansive meditations amongst the impossible tangle of wires that dangle from his apparatus, roach opens portals from the grand canyon state into a cluster of newborn stars with intricate, intelligent sequencing and modular synthesis.
recorded between 2005 and 2015 from roach’s famed timeroom and timehouse studios, the album was fully realized through advancements in technology, specifically, synthesizers.com’s large format analog modular sequencer. organic, fluid and intuitively kneaded into his spooling soundscapes, it’s now to be committed to cassette for the first time, bridging the synaptic gap with a new ‘expanded’ version that elongates the original 74-minute duration.

fresh water is the debut work by london based musician and visual artist, jake marshall. across eight tracks marshall twirls and bends his sound palette around motifs of emergency and crisis, “i was interested in distress sounds, sirens, flares etc”. the many sonic limitations in fresh water demonstrate marshall’s uniqueness. all kinds of plastic, caustic sounds, german ambulance sirens, bleeps rattling off unknown morse code, the highly synthetic strings emerging from the silence, it creates a somehow organic yet inhumane, but addictive turbulence.

comes with cool z@p remix

b-stock! cover with seam split. vinyl unaffected & mint. a year after his debut outing on the label, max essa makes a welcome return to hell yeah with the han zon roc ep, which is another of his impossibly laidback offerings. essa is of course the long time uk talent who has become a part of the balearic mafia thanks to releases on labels like aficionado, music for dreams, and his own jansen jardin. this is the second coming together of artist and label and is another timeless excursion far out to sea. opener han zon roc (midori coup) is an epic 12inch minute adventure that slowly awakens your spirit with new age guitar plucks and heavenly ambience before organic drums slowly being to drift into earshot. they grow ever larger as synths start to spray about the mix, hand drums pitter patter and big chords bring the soul-shine. its like the soundtrack to an afternoon boat party all condensed into one brilliant cut. how you showed me everything then gets super chill with lazy drum tumbles, bendy guitar lines and scattered hits. withering cosmic chords colour the airwaves and its a track that will slow your heartbeat to nothing. last of all, rain birds alfalfa jam is a analogue drum work out with early 90s hip hop influences and diving basslines. it s light and airy, nimble and playful and of course filled with the sort of tropical rays that make all of essa works so brilliantly escapist.

d.dan returns to his own summerpup imprint with his sequence.01 ep. six lean stripped-back techno sequences, all recorded in live-takes in the studio.

the fifth album put out by mohama saz is a balance of primitive sound both organic and tribal with a flare of timeless psychedelic vanguard.

funky club house

85% organic cotton, 15% recycled polyester , orange screen print on the back and front, vegan, and peta-approved, 350 gsm, relaxed fit, machine wash 30 degrees, idea and concept by michael satter & ata macias © of the original omen lettering: brigitte neubert

85% organic cotton, 15% recycled polyester , orange screen print on the back and front, vegan, and peta-approved, 350 gsm, relaxed fit, machine wash 30 degrees, idea and concept by michael satter & ata macias © of the original omen lettering: brigitte neubert

85% organic cotton, 15% recycled polyester , orange screen print on the back and front, vegan, and peta-approved, 350 gsm, relaxed fit, machine wash 30 degrees, idea and concept by michael satter & ata macias © of the original omen lettering: brigitte neubert

85% organic cotton, 15% recycled polyester , orange screen print on the back and front, vegan, and peta-approved, 350 gsm, relaxed fit, machine wash 30 degrees, idea and concept by michael satter & ata macias © of the original omen lettering: brigitte neubert

100% organic cotton standard fit, shirt idea and concept by michael satter & ata macias orange screen print on the back and front vegan, and peta-approved copyright of the original omen lettering: brigitte neubert

100% organic cotton standard fit, shirt idea and concept by michael satter & ata macias orange screen print on the back and front vegan, and peta-approved copyright of the original omen lettering: brigitte neubert

100% organic cotton standard fit, shirt idea and concept by michael satter & ata macias orange screen print on the back and front vegan, and peta-approved copyright of the original omen lettering: brigitte neubert

100% organic cotton standard fit, shirt idea and concept by michael satter & ata macias orange screen print on the back and front vegan, and peta-approved copyright of the original omen lettering: brigitte neubert

100% organic cotton standard fit, shirt idea and concept by michael satter & ata macias orange screen print on the back and front vegan, and peta-approved copyright of the original omen lettering: brigitte neubert

a deep, minimal and organic textural dancefloor journey.